Like the organic undulations of nature, the beauty of a woman is in the uniqueness of her curves. I hope to reveal these contours, and acceptance of them, in each of my pieces. My sculptures are unique, yet reflect the universal nature of being human. The central theme celebrates the form, grace and voluptuousness that is the power within every woman. I want to share the beauty most women hide while allowing the piece to be every woman, any woman. Often it is not the specific that comes forward in my work, but an overall flow or grace created by negative space. For example, by eliminating arms or a head, a line emerges that would have otherwise been interrupted. Figures evolve from a base, which sometimes looks like stone, a dress, or simply the “box” we often find ourselves in. Some forms are cracked as a symbol of the trials we face and the beauty that emerges from those challenges. No two cracks are alike, just as no two bodies, experiences or people are exactly alike. Exposing them is its own beauty. The result is art both raw and refined, much like the duality of humanity itself. Primarily self-taught, I have been mentored by master potter Bertha Gotterup for five years in the inspiring mountain town of Crestone, Colorado. I was introduced to clay in college at Dominican University of San Rafael while pursuing a degree in creative writing and came back to it years later by happenstance. But it has been belly dancing that has influenced my figures the most: subtle movements, curves, and the unabashed flaunting of femininity.